The experience came swiftly and it seemed to go swiftly. There were just so many that had to be mastered every day. I could commit lines to memory and not falter. I was startled to note that I could remember the lines I had to say. We made much of the film in Maatvai Bay, where a hundred and forty years earlier Captain Bligh had anchored in the Bounty. I went into Port Moresby, cabled Schwartz, and took ship northward to the famed Tahiti in the Polynesian Isles.įor three weeks I worked with Swartz in the picture – without the least idea of what I was doing, except that I was supposed to be an actor. I go mek ship.” I motioned with the fingers of my two hands the number of weeks I might be gone, eight or ten. I called my Boss Boy and rapid-talked in pidgin, the language of Papua, made up of German, English and Melanesian words. I stared at the tobacco field, all my fortune in it, all my labour of several months. Shades of Midshipman Young, who had been companion to Fletcher Christian during the mutiny on the Bounty.
Swartz had said he would get in touch with me some day! Now here it was! I would be in a film! Suddenly my personal heritage seemed to pay off. OFFER YOU FIFTY POUNDS ALL EXPENSES COME AT ONCE PLAY PART OF FLETCHER CHRISTIAN IN PICTURE ENTITLED IN THE WAKE OF THE BOUNTY BEING MADE IN TAHITI. One day, as I watched the tobacco fields, in full leaf, and wondered whether I’d be able to cure the crop properly and then sell it, a cable arrived from Tahiti, forwarded from Sydney three thousand miles below.
0 kommentar(er)
